![[K-pop Report Card] From meme hooks to industrial pop, here's what defined K-pop's wildest 2 months](https://newsimg.koreatimes.co.kr/2026/06/28/aecdd902-7314-4b4f-967f-89c56207b8f7.jpeg)
[K-pop Report Card] From meme hooks to industrial pop, here's what defined K-pop's wildest 2 months
For K-pop, May and June were gloriously messy. Over the past two months, artists bounced between internet memes and club sounds, nostalgia and reinvention, minimalist production and maximalist spectacle. Veteran acts proved they could still evolve without losing themselves, while younger groups continued searching for sounds they could truly call their own. Some experiments paid off. Others raised more questions than answers. Here's what stood out, or fell flat, in K-pop's latest wave of releases. BABYMONSTER, "CHOOM" EP — title track "CHOOM," released May 4 Verdict: Nearly there BABYMONSTER deserves some credit for refusing to chase trends. The track is unmistakably YG: a throwback packed with production choices that recall the label's glory days, when BLACKPINK, or even 2NE1 before them, defined its identity. The instrumental, in particular, feels lifted from that era, and there's certainly an audience still hungry for that sound. The question is whether nostalgia is the right strategy for one of K-pop's youngest groups. A familiar formula can keep longtime YG fans happy, but whether i
























































