Orange Caramel News

T.O.P and Nana confirmed they have been dating for about five months after meeting while filming his music video — with some reports naming “Totally Crazy!” — and both agencies said their relationship developed around June. The pair are seen dancing in the “Studio54” video, the lead track from T.O.P.'s April studio album, and the artists debuted in 2006 (T.O.P. with BIGBANG) and 2009 (Nana with After School)

March and April arrived with an unusually wide spread, spanning solo debuts, long-awaited comebacks, rookie bets, unexpected bops and a handful that somehow felt like contractual obligations. More volume does not always mean more substance. This edition tries to figure out which ones were worth the noise. As always, strong reactions in either direction are welcome. Your taste is entirely valid, even if this review just happens to disagree. Yena — "Catch Catch" from "LOVE CATCHER," released March 11 Verdict: Worth replaying If you grew up on Orange Caramel or T-ara, "Catch Catch" will feel like running into an old friend. The electronic beat at the song's core is about as far from current K-pop trends as it can get, and that is precisely the point. In a landscape where groups are rushing toward house, then EDM, then whatever the next cycle demands, Yena has quietly built something that belongs only to her. Leaning into retro as a deliberate identity is harder to pull off than it looks. Here, it works smartly. ITZY's Yuna — "Ice Cream" from eponymous solo debut album, released March 23 Ve

Rolling Stone and a panel of critics rank the 100 greatest songs in the history of Korean pop, tracing the genre from early 20th-century recordings and Seo Taiji & Boys through landmark tracks by BTS, Blackpink, NewJeans and era-defining songs from AKMU, Aespa, Stray Kids, Mamamoo and many more