The Rose

“The Rose: Come Back to Me” opens with a familiar image in K-pop storytelling — young musicians chasing a dream — but quickly turns into something less typical: a story about a Korean indie rock band determined to retain creative control, even when it costs them years in court. Released in theaters on Feb. 14, the documentary follows The Rose, a four-member band that has built a global following largely outside the traditional K-pop idol system. Rather than focusing on trainee camps, survival shows or major agencies, the film tracks how the group formed organically, wrote its own songs and tried to protect its creative voice in an industry built around tightly managed idols. That perspective sets it apart from recent Korean pop-centered documentaries. Streaming platforms have spotlighted major idol acts in polished behind-the-scenes features such as “BLACKPINK: Light Up the Sky” and “BTS Monuments: Beyond the Star,” as well as audition docuseries like “Pop Star Academy: KATSEYE.” While “The Rose: Come Back to Me” exists in the same genre of global K-pop document